...and pick five highlights from their time at the South London heavy doof haven ahead of final outing this month
From a visceral return to roots from Converge to Cryptic Shift’s epic new death metal space opera, Kez Whelan reviews his first batch of great new metal for 2026
Ahead of Traidora's appearance at Supersonic festival, Stephanie Phillips speaks to experimental guitarist and Crass collaborator Eva LeBlanc about her need to see herself reflected in sound
Persian Carpets
The second collaboration between Daniel O’Sullivan and Richard Youngs is a very different beast to their last: a pair of minimal improvisations for zither and piano
Off the back of an incendiary debut record that was one of 2025’s best rock albums, Leather.head speak to Cal Cashin about the importance of keeping things political, uncompromising collaborations with poet Zia Ahmed, the reclamation of emo and more
In the return of his quarterly column exploring bold new takes on traditional music and sounds, Patrick Clarke speaks to the figures behind the new Black British Folk Collective about their story so far, and reviews eleven new records including harsh noise bodhran, an extraordinary Occitan freakout, Armenian duduk, Polish oberek and more
As he prepares to embark on his first ever headline music tour, Peter Capaldi takes Jude Rogers through 13 records that have defined his life, from the parallels between Talking Heads and Doctor Who, to the time he found himself in a room with Kate Bush
Nick Hudson reports from Georgia with his guide to the gripping, eclectic and unpredictable music currently being produced in the Tbilisi underground, and how the city's musical communities are stepping up in the face of significant repression
John Quin presents a hormonally loaded take on Martin Scorsese and Paul Schrader’s classic of male alienation
In an exclusive extract from his new book, Body of Work: How the Album Outplayed the Algorithm and Survived Playlist Culture, author Keith Jopling looks at the curious phenomenon of the 'vanishing LP' – as well as the ones that didn't
The origins of hip hop may be indelibly associated with New York's Five Boroughs – and the South Bronx, in particular. But in the 1980s, Long Island's De La Soul – and near contemporaries like Biz Markie, Public Enemy and Rakim – brought a new suburban sensibility to the genre. In an exclusive extract from his new book, Living in a D.A.I.S.Y Age, West Virginia University Professor Austin McCoy recounts the group's early years