tQ's staffers select the best songs and records that have soundtracked the long-awaited beginning of spring
With their eighth album Paradises out this week, Simon Price asks Ladytron founder Daniel Hunt to shed some light (and magic) upon ten entry points into the Scouse-based synth lords' (and ladies') pristine body of werk. And for top tier subscribers revelation is at hand via an essential playlist
A new four CD reissue package, including fabled lost album reveals a triumphant portrait of the gruppe, says Alastair Shuttleworth, no matter how short-lived
Nocturnal Consolations
Širom’s banjo and balafon player joins the Polish guitarist and composer to create a map of the folk unconscious, treating tradition as a field of forces in which sound drifts between memory, matter, and imagination
In his latest missive from the French fringes, David McKenna digs into the archives of the Sonic Protest festival and a recent book on the post-68 French underground, and reviews new noise, folk, rap and indie pop releases
With their eighth album Paradises out this week, Simon Price asks Ladytron founder Daniel Hunt to shed some light (and magic) upon ten entry points into the Scouse-based synth lords' (and ladies') pristine body of werk. And for top tier subscribers revelation is at hand via an essential playlist
In her Baker's Dozen, self-penned between the release of her latest solo album and the return of her much-loved band Black Box Recorder, Sarah Nixey charts her life in listening from Carpenters to The Cure, via encounters with David Bowie and more
Half a century ago – between the release of Sad Wings Of Destiny and Sin After Sin – Judas Priest were engaged in a revolution of image and sound... one that would cement the heavy metal aesthetic for good
Ben Cardew's new book, Space Age Batchelor Pad Music: The Story Of Stereolab In 20 Songs, recounts the tale of Stereolab in 20 songs that represent certain vital aspects of the band’s make up (from romance, to collage and repetition). In this extract, he looks at the idea of 'propulsion', as it relates to ‘Super-Electric’, the title track of the band’s second EP
The Neubaten guitarist (later bassist) and collaborator with Phew, The Tiger Lillies and many more opens up about days wiled away in a seminal Berlin record shop, in an exclusive extract from his new book, Blast: Distorted Memories
From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today